Download Shoot on Location. The Logistics of Filming on Location, by Kathy M. McCurdy PDF

By Kathy M. McCurdy

You have a powerful imaginative and prescient for a way your motion picture should still glance, yet how do you discover the best spot to shoot and the way do you arrange the complicated logistics of this kind of shoot when you locate that excellent position? during this accomplished consultant, veteran Kathy M. McCurdy presents every little thing you must comprehend to get out on location-from easy methods to holiday down the script, public family members guidance for winning position scouting, negotiating with homeowners, allowing on public estate, tips to deal with proceedings, or even the place to place the very unattractive port-a-potties. it's also samples of the entire assorted varieties and contracts you will have and breaks down every little thing from the place to park the vans to in case you desire police at the set. full of real-life examples and real filming events, Shoot on Location presents every thing you must recognize from scouting during the wrap.

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Additional resources for Shoot on Location. The Logistics of Filming on Location, Whatever Your Budget or Experience

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It’s not an exact science, but try to be consistent. To train your eye, place a plain piece of paper alongside your script page. On your blank page, mark off an inch from the top and an inch from the bottom as header/footer space. Within the space left on the page, make a horizontal line halfway through the body and mark it 48. Then halve that again so that now you have 28 near the top and 68 near the bottom. Mark that in half again and you have 18 at the top and 78 at the bottom. In between and near the center line, mark off 38 and 58, and of course the end of the page is 88 or 1 page.

_________ Total days you need to be at this location: _______ (Prep___Shoot___Strike____) Describe the activity including any unusual factors or action:_____________________ ______________________________________________________________________ ______________________________________________________________________ Location:______________________________________________________________ Description:____________________________________________________________ ______________________________________________________________________ Number of Scenes __________ Total Page Count____________ Day ________Night ______Int.

Deliverables 31 Deliverables Defined Deliverables are the materials that a distributor needs in order to release a film. Without a negative of some sort, the distributor can’t create theatrical release prints. Without a color-corrected video version, the distributor can’t broadcast it on TV or release it to your local video chain. Without a legal trail proving that the producer in fact owns the film and all its elements, the distributor won’t undertake the legal risk of releasing it. And without a good many color slides, black-and-white prints, and quirky anecdotes about the shoot, the distributor won’t have the means to publicize the film’s release.

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