Download Cinema, Pain and Pleasure: Consent and the Controlled Body by Steven Allen PDF

By Steven Allen

From Tattoo to observed, this e-book considers mainstream cinema's illustration of the viscerally ruled and marked physique. analyzing a shift within the overdue 20th century to narratives that spotlight subjection, patience and willed-acquiescence, it probes the confluence of ache, excitement and consent to examine the consequences of the swap.

Show description

Read or Download Cinema, Pain and Pleasure: Consent and the Controlled Body PDF

Similar direction & production books

Rendering for Beginners Image Synthesis using RenderMan

'Rendering for rookies is certain to turn into a must-read for somebody attracted to Pixar's RenderMan. Saty's event as either RenderMan practitioner and RenderMan instructor supplies him a special and useful viewpoint. i cannot wait so as to add a duplicate to my very own pix library. 'Dana Batali, Director of RenderMan improvement, Pixar Animation StudiosWhether you're an animator, artist or second illustrator seeking to stream to 3D rendering you may be surprised via what should be completed with RenderMan.

The Focal Easy Guide to Combustion 4: For New Users and Professionals (The Focal Easy Guide)

Software program courses are advanced, the books that specify them just isn't. This completely illustrated, full-color advisor explains every little thing you must comprehend to wake up and operating speedy with Combustion. Get a jump-start studying the main good points or the software program with out bogging you down with pointless aspect.

Filming the Fantastic. A Guide to Visual Effects Cinematography

Do not waste worthy time and price range solving your pictures in publish! Shoot the results you will have successfully and creatively the 1st time. This full-color step-by step advisor to visible results cinematography empowers you to devise out and execute visible results photographs on the cheap, with out falling into the typical pitfall of utilizing high-end special effects to "fix it in post,"” which are a pricey, drawn out technique.

Women Filmmakers of the African & Asian Diaspora: Decolonizing the Gaze, Locating Subjectivity

Black ladies filmmakers not just deserve an viewers, Gwendolyn Audrey Foster asserts, however it is usually principal that their voices be heard as they fight opposed to Hollywood’s structures of spectatorship, possession, and the inventive and distribution points of filmmaking. Foster presents a voice for Black and Asian ladies within the first distinct exam of the works of six modern Black and Asian ladies filmmakers.

Additional info for Cinema, Pain and Pleasure: Consent and the Controlled Body

Sample text

Gebhard’s opinion, BDSM ‘has its origin in the norms and values of the larger social environment, rather than being an expression of idiosyncratic individual pathology’ (1983b, 74). BDSM can therefore extract its scenarios from all these norms and values, 28 Cinema, Pain and Pleasure thus control is coded in many forms. For example, a BDSM scenario or ‘scene’ may include a man being ordered to crawl around on all fours and eat from a dog bowl, or a woman dressed as a pony and being made to pull a cart.

With the preponderance of bottoms in heterosexual BDSM relationships being male, and the archetypal dominatrix defined by her femininity, whether by being described by Sacher-Masoch as a goddess with ‘a graceful and poetic figure’ (1989, 158) or witnessed in popular culture encased in figure-hugging leather and wearing high heels, it is difficult to regard the dominance as male. More universally, the very flexibility of who is top and who is bottom in BDSM relationships reveals the arbitrary nature of defining active as male and passive as female.

The transition is uncomfortable for the spectator, for ‘Lucia’s dance implies too open an acknowledgement of the masochistic desire of the female subject, and by extension the male subject who identifies with her pain’ (1980, 5). By the male subject, Silverman is referring to Max, who, through being disassociated from the gaze he had previously held via his camera, is as excluded as Lucia, and has become fascinated by her pain rather than his own sadism. ]’ (1980, 6) because it contests the superiority of the active masculine position.

Download PDF sample

Rated 4.82 of 5 – based on 13 votes