Download Bill Evans Fake Book (Richmond Music ¯ Folios) by Bill Evans PDF

By Bill Evans

Over 60 unique compositions transcribed and edited by means of Pascal Wetzel. Leadsheets normally keep on with the newest recording to teach the evolution of the track and maturation of the artist. Counterlines, codas, chord extensions and chord adjustments for improvisation are integrated. additional good points are lyric types of 10 tunes, three essays approximately invoice Evans' existence and song, photos, and discography. comprises: Fudgesickle equipped for 4 * interaction * Laurie * My Bells * Orbit * tune for Helen * Time Remembered * prove the celebs * Very Early * Waltz for Debby * and extra.

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And if you don’t think art is anything more than a cabal designed to extort subsidies from the public, why even try? However, if no one were willing make this enormous effort or to carry forward with a belief that there really is something special to some works, even before 200,000 people had seen them and humorous cartoons of them have appeared in The Spectator, most great new works would never be discovered. Difficult works, like those of Joyce or Proust (or Schoenberg or Messiaen), would become completely impossible to find, and perhaps also to produce.

But when the so-called authorities buy into the idea that nothing is intrinsically worth more than anything else, they become a negative force. indb 23 5/4/06 11:59:57 AM 24 Classical Music, Why Bother? cal or social agendas, or simply get rich and famous. This is how Dr. Marquis sees the NEA: a bumbling, unethical, unhelpful force. The lack of a belief in intrinsic value does not only affect so-called high arts. The same deleterious effects are appearing in more popular art forms like jazz or film or some kinds of pop music.

Whether it is simple and elegant or ornamental and rich, we can recognize aesthetic intentions. indb 17 5/4/06 11:59:55 AM 18 Classical Music, Why Bother? achievement. More important, it is easy to imagine that with more time and more context (knowledge) our appreciation could deepen. This is not so with the fossils down the street. No matter how much we learn about dinosaurs, or how much we might appreciate the rarity or scientific importance of a particular exhibit, it feels artificial to speak of its beauty.

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