Download Audio Postproduction for Film and Video by Jay Rose, C.A.S (Auth.) PDF
By Jay Rose, C.A.S (Auth.)
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Extra info for Audio Postproduction for Film and Video
Ideally, all of the room’s walls should be treated with exactly the same absorption materials. Then there’s the question of where to put the speakers. The experts disagree. The center channel, often used just for dialog in theatrical mixes, obviously should be centered in front of you. Ideally it’s centered behind a screen that’s transparent to sound, which is fairly easy in a theater with projectors. But that’s impossible with LCD or plasma screens, so mount the speaker just above or below the screen—whichever will place it most level with the viewer’s ears.
Those extra 12 dB of safety are the digital equivalent of headroom. 1 shows how dynamic range, headroom, and s/n ﬁt together. In the ﬁgure, analog measurements are on the left, calibrated the way a traditional VU meter would be. Note how distortion—shown as darker grays at the top—comes in gradually as the level exceeds 0 VU. How much headroom an VU Analog Too Distorted? 1 Analog and digital recording ranges. Note how 0 VU analog is equivalent to Ϫ12 dBFS digital in miniDV. Hardware for Audio analog system allows depends on how much distortion you (or the manufacturers) think is tolerable.
For this reason, and to avoid internal noise, the industry is moving away from cards. Instead, most manufacturers now offer small external boxes that connect via USB or FireWire, and offer excellent sound. Many have timecode or MIDI as well, and some include multiple audio channels and video or deck control interfaces. 1 “Finding Your Way” (C. Glassﬁeld, DWCD226/2), “Elizabethan Fantasy” (F. Silkstone/ N. Parker, DWCD128/38). From the DeWolfe Music Library, protected by copyright and used by permission.