Download After Kieślowski: The Legacy of Krzysztof Kieślowski by Steven Woodward PDF

By Steven Woodward

Polish filmmaker Krzysztof Kieslowski died all at once in March 1996 at exactly the second he had reached the peak of his occupation and won a world viewers for his paintings with the 3 colours trilogy (1993-94). due to the fact his dying he has been hailed as one of many maximum and so much influential administrators of all time, increased to the elite of global cinema along Jean Renoir, Robert Bresson, Federico Fellini, Yasujiro Ozu, Max Ophüls, and Andrei Tarkovsky. In After Kieslowski, major individuals diverge from the common research of Kieslowski's paintings to target his legacy in movies made after his dying, together with these in line with his scripts and concepts and people made solely by means of different filmmakers.

Kieslowski's wealthy legacy is rooted in not just a really major physique of early paintings made prior to his leap forward motion pictures yet one other trilogy of flicks that he were engaged on sooner than his demise, numerous of that have long past directly to be produced. additionally, actors and assistant administrators concerned with Kieslowski additionally made movies that enhance his previous, incomplete tasks or that derive thematically and stylistically from his paintings. After Kieslowski considers Kieslowski's legacy from 3 large perspectives-the Polish, the ecu, and the worldwide. participants hint his direct impression on filmmakers in Poland and Europe, together with Jerzy Stuhr, Krzysztof Zanussi, Emmanel Finkiel, Julie Bertucelli, and Tom Tykwer, in addition to issues of thematic twist of fate among his paintings and that of Jean-Luc Godard, P. T. Anderson, David Lynch, Michael Haneke, Abbas Kiarostami, and Paul Haggis. This assortment additionally lines the reemergence of Kieslowski's special visible signature in motion pictures through Ridley Scott, Santosh Sivan, John Sayles, and Julian Schnabel, and his hugely unique use of tv serial-narrative shape that's echoed in at the least significant American tv sequence, HBO's Six toes less than and ABC's misplaced.

reading Kieslowski's legacy is a fashion of considering either in regards to the distinctive gains of Kieslowski's paintings and approximately matters which are now on the middle of latest filmmaking. movie students and scholars will get pleasure from this groundbreaking volume.

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Extra resources for After Kieślowski: The Legacy of Krzysztof Kieślowski

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The first two parts of this new trilogy, initially written for the Italian television channel RAI, were published in Dialog (Piesiewicz “Nadzieja” and “Wiara”). Stanisław Mucha (b. 1970), a Polish actor and director who has resided in Germany since 1995, directed the trilogy’s first part, Faith, which was shown at the 2007 annual Festival of Polish Films in Gdynia. The careful reader of Polish film journals and Internet sites will note that Piesiewicz’s continuation of his screenwriting career after Kieślowski’s death comes as a surprise to some Polish critics, who, perhaps, expected to close that chapter of Polish cinema.

Indd 33 1/16/09 10:34:03 AM 2 Living On From Kieślowski to Zanussi Sarah Cooper Perhaps the most nebulous but all-pervasive phenomenon that underwrites creative bonds between artists of any kind is that of influence. Yet, what or whom writers, poets, painters, or filmmakers may recognize consciously as having a formative effect on their work may be entirely different from the traces of unconscious connections that others may discern when considering the complex ties that bind one artist’s work to another’s.

Mazierska, Ewa. 1 (2005): 17–28. Petrycki, Jacek. ” Kino Krzysztofa Kieślowskiego. Ed. Tadeusz Lubelski. Kraków: Universitas, 1997. 177–85. Piesiewicz, Krzysztof. “Piekło. ” Dialog 5 (1997): 5–31. Piesiewicz, Krzysztof, and Agnieszka Lipiec-Wróblewska. ” Dialog 11 (1998): 5–32. ———. “Wiara. ” Dialog 3 (1998): 5–28. Przylipiak, Mirosław. ” Kino Krzysztofa Kieślowskiego. Ed. Tadeusz Lubelski. Kraków: Universitas, 1997. 213–47. ———. ” Kino 3 (1997): 6–9, 50. Rudziński, Kamil. ” Kino 10 (2001): 25.

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