Download After Effects @ Work: DV Expert Series by Richard Harrington PDF

By Richard Harrington

Real-World advertisement initiatives provided in complete colour characteristic the paintings of well known artists, Chris and Trish Meyer, Jayse Hansen, Mark Coleran, Ken Locsmandi and others. The tutorials are advertisement initiatives that the artists created for a shopper price range of $10,000 or much less, utilizing simply the plug-ins that include the software program. particular concentration is given to the elemental thoughts which are very important to amateur movement photo artists. The significant other DVD includes the resource records required for the reader to copy the suggestions in addition to Apple QuickTime displays of the ultimate initiatives. The initiatives hide quite a lot of useful purposes together with broadcast animation, big-screen movie trailers, tune video compositing, trade exhibition displays, DVD menu images, and cel animation with Flash. * Real-World initiatives from 11 movement pictures professionals * learn how to harness After results' robust toolset * better half DVD comprises all resource records so that you can re-create the initiatives

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Now add the Gaussian Blur effect to the new Adjustment Layer and Lucid’s layer. 3. Set a key for the Blurriness just beyond one second into the shot, when Lucid nears the foreground. 4. Then at two seconds in, when Lucid pops up for his close-up, set another key and change the value to 15. 5. Set a keyframe for the Rack Focus BG layer’s Blurriness and leave the value at 0. ANIMATION WITH FLASH AND AFTER EFFECTS 04 59 6. Scrub forward in the Timeline about one second, just as Lucid settles from his pop.

Place your refined background sketch on a layer below and lock it. Use a medium gray for drawing your rough animation so you can see your lines clearly later when you ink it. Gray lines work best for rough animation. ) :: DIGITAL INK AND PAINT Once you’ve completed the rough animation and you’re happy with it, it’s time to ink it. Ink and color your animation on a separate layer above your rough anima15 » ANIMATION WITH FLASH AND AFTER EFFECTS 04 55 tion. Create a separate layer for each :: SHADE OUTSIDE THE LINES element.

5. We now must overlap the layers. With Layer 1 active, jump to the end of the composition by pressing the End key on your keyboard. Press the right bracket key (]) to move the layer’s outpoint. 20 » 18 » IT IS NECESSARY TO PRECOM- 19 » TO MOVE AROUND QUICKLY, POSE YOUR TIMELINE IN ORDER PRESS CMD+G/CTRL+G TO CALL TO CREATE THE LOOP. UP THE GO TO TIME DIALOG BOX. 40 6. Select Layer 2 then press the Home key. Press the left bracket key ([) to move the layer’s in-point. 7. Activate Layer 1 and press I to jump to the layer’s in-point.

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