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By Patricia B. Santora, Margaret L. Dowell, Jack E. Henningfield

Dependancy to alcohol, tobacco, and different medications is among the significant public healthiness problems with our time. It bills for one in all each 5 deaths within the usa and prices nearly one-half trillion money according to yr in health and wellbeing care bills and misplaced productiveness. Its human expenses are untold and maybe uncountable. dependancy and paintings places a human face on habit during the inventive paintings of people who've been touched by way of it. The artwork incorporated the following offers distinctive tales approximately dependancy. Many items are stark representations of lifestyles at the facet. Others are nerve-racking contemplations of lifestyles, which means, and demise. a few even replicate the attract of habit and a keenness for substance abuse. A panel of habit scientists, artists, and pros from the artwork international chosen the sixty one items integrated the following from greater than 1,000 submissions. followed through a written assertion from the artist, every one production is emblematic of the harmful energy of dependancy and the regenerative energy of restoration. lovely and infrequently unsettling, this designated portfolio finds habit artwork as a robust supplement to habit technology.

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ATTIVITA’ 80 (US 64=107, 106, 167): strati di cocciame. Sono posti a tamponare i vuoti tra i muri del forno B e le strutture precedenti, riferibili all’impianto del forno E Le forme riscontrate sono del tutto simili a quelle del grande strato di materiali rinvenuto tra i forni A e B (cfr. att. 56). ATTIVITÀ 83 (US 161, 174=227, 225, 226, 259): terre di obliterazione del forno G. Sono caratterizzate dalla presenza di elementi di distruzione del forno (argilla concotta e terra arrossata); dalla US 259 provengono frammenti dei blocchi di argilla (spessore 14 cm, larghezza 39 cm) che formavano la base del piano di cottura (in modo del tutto simile a quello del forno A).

5). Il forno sarà pesantemente rimaneggiato nel periodo 5 con la creazione del nuovo prefurnio ad ovest; dell’allestimento originario restano inalterati i muri perimetrali di fondazione (US 8, 34, 52, 57) in blocchi di argilla concotta e l’architrave dell’imboccatura (US 5). È difficile distinguere negli elevati, costruiti in spezzoni di tegulae, le parti pertinenti alla prima o alla seconda fase di uso (cfr. att. 49, per. 5). 50 m Naturalmente non abbiamo tracce del muretto assiale interno, del piano di cottura e delle spallette del prefurnio (elementi provenienti dalla distruzione di parte della struttura sono contenuti nel primo strato di obliterazione del prefurnio A1, cfr.

All’interno della camera di combustione (US 14) e di ciò che rimane della camera di cottura (US 9) vengono accumulati strati ricchi di materiale ceramico (fig. 63), fra cui molti oggetti integri o completamente ricostruibili. Il forno abbandonato, come era già avvenuto con il riempimento del prefurnio A1, viene adibito a discarica di oggetti difettosi e quindi non commerciabili, da ricondurre presumibilmente alla produzione del forno B. Nel prefurnio (fig. 64) gli strati di obliterazione (US 35, 37), oltre a contenere materiale ceramico, sono caratterizzati dalla presenza di laterizi (alcuni deformati) e di tracce piuttosto forti di legno carbonizzato (cfr.

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