Download 500 Wood Bowls: Bold Original Designs Blending Tradition by Katherine Duncan Almone PDF

By Katherine Duncan Almone

Шар - одна из самых традиционных форм. В книге представлено 500 изящных изделий из дерева.The bowl is without doubt one of the most standard types, yet modern artists who paintings in wooden remember the fact that it has great power. those 500 beautiful examples, many through pioneering artisans, exhibit simply how a lot the bowl has been ''reinvented'' via craftpeople around the world as either an iconic item and as a departure for self-expression. On reveal are a variety of woodworking techniques, from chisel to chainsaw to router to bandsaw. a few have carvings at the suface; others characteristic paint and combined media; whereas many extra remain with reference to what nature supplied, with the wooden easily sanded and sealed. The proficient creators comprise James Prestini, Bob Stocksdale, impolite Osolnik, Mel Lindquist, Ed Moulthrop, Mark Lindquist, David Ellsworth, and William Hunter.

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Reposition the tool rest. In the intervening years, I’ve refined these rests, and the rests I now use are vastly superior to those first efforts. Instead of a flat top surface 3⁄4" wide, my current rests have a top surface that is cut at an angle, mimicking the shape of the factory rest that came with my tool. Also, my current rests have more support for the upright arms that carry the actual rest. This extra support makes the rests more rigid. I eventually became comfortable with the springiness of those first rests, but the rigidity of my newer versions is comforting.

Clamp the guard in place. Slide the work into the blade, keeping your fingers high up on the work. 35 9 STEP Then, turn your attention to the blade guard. A guard is necessary because more than a third of the table saw blade will be exposed when this jig is being used. The guard is built around two pieces of a length of 2 x 6. A thin Plexiglass strip is then screwed to the guard to protect your fingers from the blade while still allowing you to see what's going on. In this photo, I’m cutting the Plexiglass shield on the band saw.

48 49 Marking Gauge Much of the work done in my shop is lathe-based. For every piece of casework I create, I probably make a dozen chairs or tripod tables — all constructions which begin life on the lathe. That means I must have ways to quickly and accurately mark parts which have been turned on the lathe. To accomplish this, I built a lathe marking gauge which allows me to draw lines on the outside diameter of a turned part that are parallel to the part’s axis of rotation. The gauge is nothing more than a vertical post which holds a pencil at the same height above my lathe bed as the lathe’s axis of rotation.

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